We all have them. Funny stories, horror stories, scarring stories, inspirational stories. Part of the joy of theater-making is the amazing people and bizarre situations and exciting escapades we find ourselves in.

Here is a menagerie of some of my memorable moments and thoughts from 7 years of theater.

--

Toot Terrible to Tell

I'm in the audience of Billy Elliot on Broadway. It's reached the emotional climax of the show, where Billy is asked by the panel why he likes dancing, right before his big song "Electricity." He is scared, nervous, alone.

"Well," Billy says. "It's because..." 

A pregnant pause suspends, just before the orchestra starts in --

And then someone in the middle of the orchestra seating lets out a loud, loud fart.

...And like a room full of fourth graders, the audience starts snickering. And laughing. Just as the little boy playing Billy starts into the most emotional, heart-wrenching song and scene for him in the musical.

To the credit of the boy playing Billy, he did not once break character or become distracted. He maintained his character and emotional place in the scene for the entire duration, even as audience members, full grown adults, gaffawed like a bunch of 6 year olds at a fart through the first minute of the song.

--

Totally Meant to Do That

In a production of Firebugs at CalArts, I played a member of the fire brigade. A blind, mute, piano playing, clarinet rocking, dancing fireman. There is one scene where we run across the set and then freeze into tableaus, then shift into a slow-motion dance sequence. In that same scene, there are also cardboard boxes strewn across the set, and general chaos and mess.

On opening night, as we run across the stage, I run across the stage with the other firemen -- and trip and fall not once, but twice, over the boxes in a span of 4 seconds (the first time catching myself, the second just faceplanting.) I claw my way up and join my fellow firemen in our slow motion sequence, only to see 7 other yellow jackets quivering with silent laughter. 

Afterwards, my director came up to me and said, "OF COURSE the blind fireman falls when he goes to dance. Keep it forever."

--

MFA Schmemefay

In undergrad, I remember I looked up to the MFA students and thought "man, those are REAL grown ups who know what they're doing." 

As an MFA, I can safely say that is not true at all. 

--

Views: 109

Tags: acting, stories

Comment

You need to be a member of TheatreFace to add comments!

Join TheatreFace

Comment by Suzanne DuCharme on February 16, 2013 at 3:32pm

Oh yeah!  Been there, done that!  I was playing Ann Sheridan in a regional production of Man Who Came to Dinner a while back (far too young for the role, the director took a liking to me and I played her as a clawing ingenue, rather than the fading diva she is written to be.  Oh, to play her again now that I'm a fading diva type.  But I digress) 

I was supposed to make one of her many grand entrances in one of her many fabulous costumes, but I was outside the stage door getting some fresh air and chatting with another actor.  Suddenly, I heard someone on stage say "Well, I think it's Miss Sheridan down at the end of the walk!"  I raced onto set and said, "It's terribly icey out there.  Why I nearly fell, just like my poor Sherry," and the show went on.    It was terrifying and embarrassing and I apologized to the cast, crew and director afterwards, but I  have never missed an entrance again.

Comment by Douglas Fox on February 4, 2013 at 2:50pm

And then there was the time at the start of the Neil Simon's "God's Favorite" the actor entered the set -- a burned husk of a house with just remnants of walls and a single empty door frame left standing -- stood in the door frame and...

The frame promptly fell over flat on the floor in front of him ala a classic Buster Keaton moment.  It was supposed to stand, not fall. 

Thankfully, the actor had the presence of mind to survey the fallen door frame, raise his hands and face to the heavens in silent supplication of "why me?", then drop his arms and lower his head shaking it in in silent sorrow. 

The audience loved it. No, we did not keep it for the rest of the run -- too dangerous and unpredictable.

Subscribe to Stage Directions

Start Your FREE Subscription to Stage Directions Today!

SD covers everything from backstage to box office--performance to production and is filled with practical tips and information you need to stay on top of theatre trends.

Start getting your own copy today!

Theatreface is the networking site for professional, educational and community theatre brought to you by Stage Directions Magazine.

© 2013   Created by Jacob Coakley.

Badges  |  Report an Issue  |  Terms of Service