We're going to be taking a look (and a listen) to the TM-125C Supercardioid Condenser Stage-Floor Microphone from Bartlett Microphones. Starting this Monday (5/3/10) I'll be putting up some images fo the microphone and relaying some information off the data sheet.

In the meantime, post any idea that you might have on things you'd like to know more about the microphone or tests that I or my sound geek friends might run for you.

Much more soon.

Tags: Bartlett, gear-review, microphone

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The mics are back from Victor's playground (he's compiling thoughts as I type) and immediately another different chance to use them popped up. Right now they are serving as boundary mics for a talking heads/corporate presentation. Those of you that have done those know that it's not always possible to get an exec to stand still or talk directly into the podium mic so a little insurance policy is never a bad thing. Early this evening it'll be over and I'll get some impressions from the organizers and hopefully some of the exec handlers as well.
It was 'awesome' was the verdict from a random audience member. I managed to catch the tail end of one of the presenters who did step away from the podium, fortunately we have the floor mics in place (they were on carpet on a cantilevered platform). The transition was smooth and near flawless. One of the exec wranglers did say that she happy that her boss 'sounded so good and everybody could hear him'.
Well, that was a pleasant surprise. Turns out that the mics got a little workout at a renowned children's theatre. What does that mean? For starters, three more folks opinions and expertise to condense down and a rewrite for me to fit the new information in. I look forward to seeing what the new guys have to say.
Thanks for all the input everyone! Look out for the written review in Stage Directions Magazine.

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