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you could also build a small dog house the shape of the mike to bring the sound in the the mike. you can layer cardboard then foam and more card board then paint it black to help hide it
yesterday
Bruce Bartlett added 2 discussions to the group Sound Design
yesterday
We just introduced the TM-125HP High Performance floor mic for recording opera, drama, musicals, solo recitals, etc. www.bartlettmics.com
May 14, 2010
I'm corresponding with Trevor Long about his review of our TM-125C stage-floor mic for area pickup of actors.
May 14, 2010
I'm working on a high-performance version of the TM-125 for recording. It will have much lower noise and flatter response.
January 28, 2010

Profile Information

What's the last show you worked on?
Consultation for Amish Acres Round Barn Theatre
What's your current project?
Designing stage-floor microphones
What theatres or schools have you attended?
College of Wooster, Gannon College, Akron University
What's your job in theatre now?
Designing stage-floor microphones
What do you aspire to?
Better sound!
What's your best advice to someone wanting to be in the theatre?
Follow your dream but have a day job. :>)
Are you currently receiving Stage Directions magazine
Yes

Looking for tech suggestions on floor mics

Theatre sound mixers, I'd like your input on design features for stage-floor microphones (also called area mics). For example, the tiny XLR connector at the mic can be rather fragile. Would you like to see a rugged, hard-wired cable instead?

Thanks,
Bruce Bartlett
www.bartlettmics.com

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Comment Wall (2 comments)

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At 10:52am on May 3, 2010, Trevor Long said…
Hi Bruce, have your mics and am looking forward to starting to play with them in earnest. If you want to add suggestions on things to look at or just join the discussion in general, join the group Gear Reviews. Thanks.
At 4:35pm on May 23, 2009, Rene said…
Thanks a million Bruce. I would try these out at my next session.
 
 
 

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