Hardy L. Bates
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  • United States
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  • Richelle Thompson
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Latest Activity

Hardy L. Bates posted photos
Apr 17, 2014
Hardy L. Bates posted photos
Apr 5, 2012
Hardy L. Bates posted photos
Apr 5, 2012
Richelle Thompson left a comment for Hardy L. Bates
"Hi Hardy, Thank YOU for your kind comment. It's good to know that what I write is encouraging... :) As to your questions, I'm always glad to answer whatever I can for people. That said, I'm not the portfolio…"
Nov 30, 2011
Hardy L. Bates left a comment for Richelle Thompson
"Greetings Richelle, First of all I would like to say that I enjoy reading your posts on here. I find them infrormational, encouraging, and at times, comforting. As a young artist who happens to teach inspiring artist, I am curious to…"
Nov 29, 2011
Hardy L. Bates replied to Meghan O. Koesters's discussion Document Uploading?
"Just out of curiosity, have you tried uploading document in photo section as PDF?"
Nov 22, 2011
Hardy L. Bates posted a status
"Just closed "Snoopy the Musical"...now Lynn Nottage's "Ruined" is on deck."
Nov 22, 2011
Hardy L. Bates commented on Richelle Thompson's blog post Wearing Multiple Hats
"I found Sound Design by chance in grad school when no one else wanted the production job in the department. I'm glad that I stepped out on a limb and took a chance with sound design because it has made me more marketable as an…"
Aug 18, 2011
Hardy L. Bates posted a status
"Beginning preparations for "The Wiz""
Jul 10, 2011
Hardy L. Bates posted photos
Sep 18, 2010
Hardy L. Bates replied to Justin Argenio's discussion General Certification in the group Stage Combat
"I'm relatively new to the Stage Combat scene, but I have worked immediately under Mark Guinn, who is a fight master. I believe that if you had to focus on one element of stage combat it should be unarmed. I hope this may help. If not, I may be…"
Sep 18, 2010
Hardy L. Bates commented on Daniel Reith's group Stage Combat
"Hey Daniel..where did you get that logo from..it looks veerrrrry familiar to me."
Sep 17, 2010
Hardy L. Bates replied to Jacob Coakley's discussion Headset Microphone Suggestions? in the group Sound Design
"I concur with Richard. Previously in grad school we used Sennheiser Evolution Series in our production of "Fiddler on the Roof". The receivers were easy to read, assign, and trouble shoot."
Sep 17, 2010

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What's the last show you worked on?
Snoopy
Are you currently receiving Stage Directions magazine
Yes

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At 12:27pm on November 30, 2011, Richelle Thompson said…

Hi Hardy,

Thank YOU for your kind comment. It's good to know that what I write is encouraging... :)

As to your questions, I'm always glad to answer whatever I can for people. That said, I'm not the portfolio expert...

A professional sound portfolio was a new idea when I was in undergrad - at least for my mentors - so I didn't have one! I did (do) have LOTS of show specific ACTF documentation for productions that had been submitted (either in entirety or just my design) for adjudication - but nothing to send out to a grad school or for a prospective design job. As a departmental supervisor, I'm hiring engineers, so I don't look for or ask for a portfolio, although I've had several applicants send me CD's with samples of their work. I've never been required to submit a portfolio as part of an interview, either. That said, I have been attempting to put one together - since a portfolio IS the only way someone can see (hear) what you do short of attending a show you've done.As a designer, a good sample CD is probably the single most important piece of a portfolio - and it ought to contain work that shows the range of yours skills, include recorded effects or music, and effects that are unique or shaped enough to not be recognized off of a sound effects library.

As far as sound paperwork, the bulk of my work is created in Excel. I used to draft block diagrams in VectorWorks or another drafting program - but have gotten away from them in favor of hook-up sheets. (Not that they aren't valuable, and I probably SHOULD keep at least a "stock" one on hand.)

In terms of generating my own paperwork, I particularly like Excel because of it's flexibility, as well as being able to keep multiple sheets in one document. My hook-up paperwork, mic documentation, cue plot, recording plot, effects source plot (if the show is big enough to warrant one) are all on separate tabs in one file - which helps me cross reference the information as well as keep it all organized.

I hope that's somewhat helpful! If I can answer anything else, please don't hesitate to ask. Perhaps a paperwork blog will be in my future!

Cheers!

Richelle

 
 
 

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